Saturday, April 13, 2013

Citations for the first three blog posts

Works Cited



Brannon, Lil, et al. "The Five-Paragraph Essay and the Deficit Model of Education." English Journal 98.2 (2008): 16-21. ProQuest. Web. 13 Apr. 2013.

Devitt, Amy. “Teaching Critical Genre Awareness.” Genre in a Changing World. Bazerman, Charles, Bonini, Adair, and Figueiredo, Débora (Eds.). (2009). Genre in a Changing World. Perspectives on Writing. Fort Collins, Colorado: The WAC Clearinghouse and Parlor Press. 337-351.

Hairston, Maxine. Response to Maxine Hairston, "The Winds of Change: Thomas Kuhn and the Revolution in the Teaching of Writing" Http://www.jstor.org.proxy2.cl.msu.edu/stable/357846?&Search=yes&searchText=Kuhn&searchText=Teaching&searchText=Thomas&searchText=Winds&searchText=Writing,&searchText=Change&searchText=Revolution&list=hide&searchUri=/action/doAdvancedSearch?q0=The+Winds+of+Change%3A+Thomas+Kuhn+and+the+Revolution+in+the+Teaching+of+Writing%2C+&f0=all&c1=AND&q1=&f1=all&acc=on&wc=on&fc=off&Search=Search&sd=&ed=&la=&pt=&isbn=&prevSearch=&item=2&ttl=322&returnArticleService=showFullText. National Council of Teachers of English, Feb. 1982. Web. 6 Apr. 2013. <jstor.org>.

Reed, Janine. "Self-Orientation in “Expressive Writing” Instruction." Journal of Teaching Writing V13 (1994): 109-26. Print.

Singer, Jessica. "Stories of Justice: Collaborative Writing." Stirring up Justice: Writing and Reading to Change the World. Portsmouth, NH: Heinemann, 2006. 1-40. Print.

Smagorinsky, Peter, Larry R. Johannessen, Elizabeth A. Kahn, and Thomas M. McCann. The Dynamics of Writing Instruction: A Structured Process Approach for Middle and High School. Portsmouth, NH: Heinemann, 2010. Print.

Sommers, Nancy. "Responding to Student Writing." College Composition and Communication 33.2 (1982): 148-56. Print.

Wesley, Kimberly. "The Ill Effects of the Five Paragraph Theme." English Journal 90.1 (2000): 57-60. ProQuest. Web. 13 Apr. 2013.

Writing Instruction Must Serve A Purpose

Writing instruction must be applied to an engaging purpose. Writing always serves some kind of purpose, but students become disengaged and won’t fully benefit from instruction on writing if the purpose of what they write is to give students a grade. Students need a purpose that entices their desire and interest to write. Janine Reed explains in her text, Self-Orientation in “Expressive Writing” Instruction that “writing from experience helps students become confident in their abilities as writers and empowered by the they write. Indeed, the only good subject matter… is material that comes of students’ own experiences” (111-12). A relevant purpose brings meaningful experiences under closer examination, which makes students feel passionate enough to explore and better understand. Jessica Singer is an excellent example of a teacher who gave their students an authentically engaging purpose for writing a paper. Students’ purpose to write was to “use reading and writing to learn about and participate as agents of change. Rather than studying how suffering and wrongdoing are perpetuated, students learned to become activists” (Singer 1-2). Her students were doing more than learning writing instruction; they were learning how writing instruction could be used as a means of empowerment. The purpose of their papers was to create change, which, through writing instruction, could be successfully and effectively constructed to create an actual change in society. Since the students who I work with are from either China or South Korea, they are experiencing living in a different culture—American—from their own. With this in mind, they were given a writing assignment with the purpose of explaining to Americans some aspect of their culture that they would like to share. They did this through choosing an artifact from their culture that was meaningful or significant to them. By having students decide for themselves what cultural artifact that they wanted to write about, the purpose of their papers became more meaningful. Students were given time to consider what cultural artifact was most meaningful to them. Because the class aims to prepare students for college-level writing, this assignment aims to teach students how to write different genres through multiple modes and the writing processes involved. Yet, genre should be considered the most important component in writing instruction. Without a significant genre, students will be less engaged with the processes of writing and view the mode of writing as a restrictive equation where you insert ideas rather than express ideas. Amy Devitt in her text, Teaching Critical Genre Awareness, finds, “Genre teaching can indeed be formulaic and constraining, if genres are taught as forms without social or cultural meaning” (337). Devitt recognizes how the genre gives students the sense of purpose with writing. Students who are, for example, told to write an expository essay on tomatoes and have no meaningful connection to tomatoes will never see how the expository essay can be useful or be able to enjoy the building and expression of thoughts (the process of writing). My students are writing about a cultural artifact, or genre, of their choosing, which gives students a meaningful task. This means, when it comes time to explain what an expository essay is, students will be able to understanding easier how the mode functions to effectively arrange and connect their thoughts and ideas. Students will want to figure out what to say to their reader and how to best say it. Purpose, in writing, becomes the key into the students’ motivation and engagement with writing instruction. 

Process Of Writing, Not Final Product


Since the students that I am working with are all from China, except for one who is from South Korea, students wrote a paper that explored and explained to their readers a cultural artifact from their countries. The students had previously turned in their final drafts to the teacher and now the papers were graded, and so, I thought the teacher was going to do what teachers typically do after students’ papers were graded. She would simply say how well the general papers were and direct the students to look over the written comments that she made. However, this was not the case. Instead, the teacher asked the students to reflect on their process of writing during most of the class session. The teacher was not treating students’ papers as an end result; rather, she was using the papers to build on students’ understanding of writing. Maxine Hairston in her text, The Winds of Change: Thomas Kuhn and the Revolution in the Teaching of Writing, explains how writing instruction that focuses on the final product limits the students understanding of writing because they don’t see the various creative processes involved in writing. Hairston states,“[Students] believe that the composing process is linear, that it proceeds systematically from prewriting to writing to rewriting.” (78). Typically, writing becomes a set formula by focusing on the final products of writing. By focusing solely on the drafts, students are never able to explore and become aware to the process that go on in between the drafts. Writing instruction should be more than a systematical routine because each writer is different. In their article, The Five Paragraph Essay and the Deficit Model of Education, Lil Brannon, Jennifer P. Courtney, Cynthia P. Urbanski, Shana V. Woodward, and Jeanie M. Reynolds state, “Writing…should not be yet another way to train students to be obedient citizens, but rather provide them with opportunities to develop their thinking as individuals, making meaning through the act of composing” (17). Instruction based around the processes of writing teaches students the tools needed to construct their papers in their own ways but in a way that still leads to effective and successful papers. Going back to the teacher who I assist in a writing class, she directed the students’ attention to the processes of writing by focusing on the different aspects of writing that the students had to consider when constructing their papers. The teacher mainly had students think about how they arranged, connected, and described their ideas about their specific cultural artifact. I was sitting next to one of the students and asked him what he was thinking. He explained to me how he should have placed the paragraph about his cultural artifact’s history as the first body paragraph. The student’s cultural artifact was about Chinese paintbrushes that are used when writing Chinese words, or symbols. In his paper, he used his first body paragraph to describe how the Chinese paintbrushes were made and what different materials are used to make the different paintbrushes. However, he realized how the paper could have been improved if he had to placed the history first, which he could have then connected to the paragraph that described the different paintbrushes. This would have given the reader a better understanding of how the Chinese paintbrush evolved over time. If the teacher hadn’t allowed the student to reflect on his process of writing, he could have missed this growth in understanding of arrangement in the writing process. The paper was more than just a grade, which only emphasizes the final product of a written piece of work, but it was a tool to introspect the dynamics of writing. The student was discovering how to effectively employ arrangement in an expository essay, which would produce the strongest impact and understanding on the student’s reader. In Peter Smagorinsky, Larry R. Johannessen, Elizabeth A. Kahn, and Thomas M. McCann’s book, The Dynamics of Writing Instruction, they describe how writing instruction should aim to teach students the processes of writing. They explain, “Instruction allows students to develop composition procedures in relation to particular tasks, such as argumentation, description, narration, extended definition, fable, or any other specific type of writing that relies on particular social and rhetorical conventions” (20). Yes, different types of papers do require different types of procedures, or process, when writing a paper. Since the students wrote an expository essay, they had to arrange their essays in a way that would produce as much clarity for the reader as possible, which, as the quote above mentions, means recognizing the certain “social and rhetorical conventions” in an expository essay. The student, who discussed Chinese paintbrushes, become more aware to these conventions through the teacher’s instruction of reflecting on the convention of arrangement and connection. How could the student have learned to improve his writing ability through a grade on his paper? He couldn’t. A reflection and evaluation on his writing process in his creation of his final paper, however, could and, as witnessed from above, did. 

Giving Students Comments

 In writing instruction, commenting on students’ work is crucial for making progress in their writing ability. Yet, commenting is an extremely complex task because it can frequently lead to confusing the student, which does more harm than good. I know this to be true because, in a writing class that I help assist with teaching, I found my comments to be problematic for a student whom I thought I was helping. To clarify, all of the students were working on their papers during class. Since they were still in the earlier stages of writing, students’ ideas were not as concrete and developed as papers are in the later stages. Students were collaborating with their peers, but there were a small portions of students who working alone. I noticed a particular student who was working by herself. Her one finger was constantly twirling her hair as her other hand was lightly banging a pen on her forehead. I decided to sit down and see if I could help. At first, she was trying to explain to me what her paper was about, but I told her that I should read her paper before anything else. I know a crucial part of being a good writer is being a good reader. Nancy Sommers in her text, Responding to Student Writing, describes how effective reading skills are crucial for a writer when she says, “we comment on student writing to dramatize the presence of a reader, to help our students to become that questioning reader themselves, because, ultimately, we believe that becoming such a reader will help them to evaluate what they have written and develop control over their writing” (148). Sommers highlights the importance of scaffolding students into becoming successful questioning readers. Students must learn what types of questions to ask while reading—questions that address confusions and weaknesses within the paper. In the article, The Ill Effects of the Five Paragraph Theme, Kimberly Wesley notes, “These questions are the most challenging ones for any writer and, unfortunately, the ones least often asked of high school students…as a result, [students] rarely understand the purpose of their paper” (59). With this in mind, I decided to read the paper out loud, while giving verbal comments. I wanted the student to know what was going through my head as I was reading. I stopped after reading the thesis paragraph. The student’s thesis was describing how recycling was a part of Michigan State University’s culture. One of her points compared MSU to other colleges, which showed the amount of care MSU takes in recycling. I knew the student was from China, so I thought I was about to make a really good comment on what she should do. I told the student that she should compare Chinese universities to MSU in relation to their cultures of recycling. Not only did I make this suggestion, but I also persisted to comment on how she could go about doing so. Even though she never directly brought my commenting to a halt, she was nodding her head with a disinterested look on her face. I thought that I was confusing her—which in a sense, I was—so I stopped talking to ask her what was the matter. She was at first hesitant to tell me what the issue was, but I knew there was something going on. She then explained to me that she did not want to focus on Chinese universities, rather she wanted to do something more with comparing MSU to other American universities. Guilt started to rain over me. I was taking control of the student’s paper without ever including her or taking her viewpoint into consideration. I knew the paper was still an infant that could be molded in various ways. In her same text, Sommers states that “teachers' comments can take students' attention away from their own purposes in writing a particular text and focus that attention on the teachers' purpose in commenting” (149). If I had never urged her to tell me her issue with my comments, the student could have acted upon my comment of comparing MSU’s recycling culture to Chinese universities. Since I was the teacher, the student would have thought my comment should take precedence over her own purpose, or direction, in her paper. Before venturing into comment, I should have said, “Now, this is a point you could make in your paper, but you don’t have to do it. There are so many ways of going about your thesis so don’t feel like you have to do this. But, have you thought about comparing MSU’s recycling culture with Chinese universities?” This would have shown the student a type of question to ask, but, as Sommers has stated, I wouldn’t have steered the student’s attention away from her own purpose of the paper. Still, my mishap with the student wasn’t a total failure. Right after she told me that she didn’t want to compare MSU with Chinese universities, she realized that she wanted to not only show how MSU has recycling apart of its culture more than other American universities but show how MSU could improve their culture of recycling through a comparison to other American universities, which employ better and more methods of recycling. I realized for next time that I must construct my comments in a way that won’t divert the students from their desired purpose in their writing.